Blind accordeon player Domingo Luis Garcia (Minguito) recorded throughout the 70s with various bands from Angola as Os Kiezos, and here with Conjunto Merengue on this beautiful 7 inch.
Take some rumba from Congo, boost it with benga from Kenya and mbaqanga from South Africa, and blend with mbira-influenced rhythms from Rhodesia/Zimbabwe...
Every year is celebrated a Fela Day (few weeks ago in Paris), proving that Fela Kuti's spirit is still gliding around, despite a very varied comprehension. Good occasion anyway to search in muzzicaltrips archives, and look at how evolves perception of african music along the years. Here's an article about Fela Kuti which reveals part of the perception of a jazz magazine from 1981 (Jazz Hot, first jazz magazine in Europe created in 1935).
One aspect I could not guess when I begun Muzzicaltrips blog, is the number of people around the world it would lead me to meet or to exchange with. Today's post comes from one of theses interesting exchanges, as it's a contribution from Norway, proposed by Olav Aalberg, great connoisseur of music from Cabo Verde:
An obscure 80s band from Thies in Senegal have just been brought back to life by label Teranga Beat. Dieuf-Dieul played from 1979 to 1982, but it appears their music never have chance to be released on a proper vinyl nor tape album until today. That's why i found interesting to present this record on Muzzicaltrips and to discuss with Teranga Beat Label founder, about these recordings and amazing piece of senegalese musical heritage.
Muzzicaltrips taking part of various musical projects including radioshows, I'd like to share some "dangerous trips" or "viagens perigosas" in Angola realised recently for Radio Capsao. A special musical selection based on dusty records, archives from golden era from this country culturally influenced by portuguese colonists, by other lusophone colonies, by Cuba and the Caribbean, and for sure by specific african musical heritage. Wars and instability during the 60s to 80s also influenced a unique musical production : semba, merengue, kizomba, but also political music and struggle songs (or propaganda songs, depending on point of view), reflecting a wide spread imperialist oppression feeling.
Here's a particular Muzzicaltrips post for book diggers and african literature lovers... Just to have an idea on what was Presence Africaine catalogue in 1980. This Paris-based editor has been since its creation by Alioune Diop in 1947, a real amplifier for african and diasporic written forms of expression, novels poetry, or essays.
Initially a sacred rhythm played to put the curse aside after a death, "Tchinkoumé" became a popular celebratory music from Savalou region (in Benin, just north from the coastal areas when the hills begin).
Highlife knew his golden era during the 50s and 60s in Ghana, but this late 1970 "special hi-life numbers" just sounds like in the old good time, when president Kwame Nkrumah used to promote it as a symbol of modern (pan)african expression.
Entering Randy Weston spiritual world is a long story. Let's just have a glimpse at his special relation with the city of Tangier (Tanjah is local name).
Randy's is a well known name for reggae aficionados, as Vincent Randy Chin (+2003) produced and recorded music in his Kingston studio (16-17 North Parade) from the early 60s. Alton Ellis, Sly Dunbar, Augustus Pablo, Gregory Isaacs and many other major figures of jamaican reggae and dub music played there. But in parallel some funky productions were released as influence from the US was growing and corresponded also to a market locally. This is case of this 7 inch on which Jablonski delivers a heavy cover of "Soul Makossa", backed by the studio band "The Randy's Allstars". It's impressive to notice how funky they can play on this track, although their main style is reggae...
Jablonski - Soul Makossa :
Enjoy some tropical & funky sound from Cabo Verde: HERE.
This album has been recorded at Radio Cameroun studio, probably in 1983. Marc Nkodo David plays the solo guitar, name of the band being Marco-Star. The recording is not perfect but the music is very interesting rhythmically. During one song he explains that the rhythm they're playing is called "angazuma" (engagement?). Any additional info is welcome.