Blind accordeon player Domingo Luis Garcia (Minguito) recorded throughout the 70s with various bands from Angola as Os Kiezos, and here with Conjunto Merengue on this beautiful 7 inch.
Muzzicaltrips taking part of various musical projects including radioshows, I'd like to share some "dangerous trips" or "viagens perigosas" in Angola realised recently for Radio Capsao. A special musical selection based on dusty records, archives from golden era from this country culturally influenced by portuguese colonists, by other lusophone colonies, by Cuba and the Caribbean, and for sure by specific african musical heritage. Wars and instability during the 60s to 80s also influenced a unique musical production : semba, merengue, kizomba, but also political music and struggle songs (or propaganda songs, depending on point of view), reflecting a wide spread imperialist oppression feeling.
A kind of "Black Atlantic" musical mixture is here well represented with this album from Bonga (Angola), Tiao Tocha Perazzo (Brazil) and Jo Maka (Guinea). Slaves from Benin, Angola and Congo were transplanted in brasilian Nordeste. From these african roots, afro-brazilian generations developed both sacred music (candomble) and popular music (samba). This beautiful album is a nice way to meet up again musically.
Fabricado por FADIANG (Fabrica de Discos de Angola)
From the 60s, electric wave hit Angola with a big influence from northern neighbor Congo and his typical electric guitar rhythms. But more traditional Angolan rhythms like semba or rebita are also often integrated into new music productions, same way as external influences (from Brasil or West Indies, including merengue) which made Angolan music a really rich and rhythmically diversified mixture, despite the few quantity of vinyls that could survive up to now.